Review: "A Lis(z)t of Mahler"

Δείτε απόσπασματα από τα ρεσιτάλ στο YOUTUBE ΕΔΩ και ΕΔΩ

           Κριτική της Ελένης Παναγιωτοπούλου, για τα ρεσιτάλ "A Lis(z)t of Mahler" με έργα F. Liszt και G. Mahler που έγιναν το Σάββατο 12 & την Παρασκευή 18 Ιανουαρίου 2013, στο AN ART ARTISTRY. Στο πιάνο ερμήνευσε ο πιανίστας και συνθέτης Δημήτρης Ανούσης και στο τραγούδι ο βαρύτονος Δημοσθένης Χρ. Σταυριανός.
          Η κριτική παρατείθεται αυτούσια όπως δημοσιεύθηκε στο Newsletter no. 111 (June 2013) της "Liszt Society" (www.lisztsoc.org.uk).

"Liszt & Mahler: Lieder Demosthenis Stavrianos - baritone, Dimitris Anousis - piano
Saturday 12th and Friday 18th January 2013, An Art Artistry, Athens

          Two young aspiring and vigorous artists presented to the Athenian public a rather original and unexpected combination of Liszt and Mahler songs. The comments of Alan Walker, Liszt’s celebrated biographer, come to mind with reference to Liszt’s songs: strangely neglected although they bridge that gap in the history of song between Schumann, Brahms and Mahler.
          Dimitris Anousis (pianist, composer and artistic director) started the concert with Liszt’s delightful ‘Gastibelza’ from his second book of songs written in 1847 for solo piano, which he played with great gusto. The baritone Demosthenis Stavrianos then sang all three of Schiller’s ‘William Tell’ songs in an arrangement for baritone by Dimitris Anousis, in flawless German and with a noted lyricism and with almost rustic undertones. This was followed by the popular ‘Die drei Zigeuner’ (1860), Liszt’s song influenced by gypsy tunes and lifestyle, on a poem by N. Lenau. The first half was concluded with ‘Nuage gris’ (1881) one of Liszt’s most haunting and influential late piano works.
          Mahler’s ‘Lieder eines Fahrenden Gesellen, his first song cycle completed in 1885 with lyrics by the composer, concluded the programme. Stavrianos interpreted those challenging pieces with deep feeling and accuracy while pianist Dimitris Anousis did a great job at highlighting the underlying orchestral texture of the piano accompaniment. All in all, a most enjoyable and impressive concert and a rich albeit balanced programme.

Eleni Panagiotopoulou"

 
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